Sunday, May 8, 2016

Slomatics Interview

1.Can you give us an update on what has been going on with the band since the recording of the new album?

We finished mixing in February so it's not been that long really, and we've been wrapping up the art/mastering/pressing stuff for a while. We've played a couple of shows too, one in Belfast with our friends Conan and then we played Desertfest in London just last week. Beyond that we've started work on new material, just piecing ideas together really, but already thinking about the next recording. We like to stay busy!

2.You have a new album coming out in September, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?

This album is the third in the sequence we started back in 2012 with 'A hOcht'. It's the final piece of that three album concept so hopefully it'll ties things together and give a sense of finality. I think we tried to push all the different aspects of our sound as much as possible so we've made more use of synths and vocal harmony but also tried to push the heaviness of the riffs. Every recording is really just a document of where the band is at that time, so in terms of differing from what we've done before it's not really something we think about too much. I'd like to think every record is a progression but really that's for the listener to decide. I suppose there's at least one song on this record that might be seen as a departure, it's hard to say really, as we don't consciously try to do things differently.

3.What are some of the lyrical topics and subjects the band explores with the newer music?

As I said, this record is the third in a series so the narrative continues from where 'Estron' left off. There's very much a concept going on and our singer/drummer Marty definitely puts a lot of effort and meaning into what he writes. As unsatisfactory an answer as it is, we really prefer to leave interpretation of the songs to the listener, and let the lyrics be a little ambiguous. I remember buying 'Houdini' by the Melvins, and being really shocked when I read the lyrics, as they're just a load of weird phonetic sounds and made up words. I really loved that it made no difference to the emotional resonance of that record, so I suppose I'd rather leave ours for the listener to interpret however they please, which I realise is pretty much avoiding the question. Sorry!!

4.Most of the band members at one time where in 'The Naught', is this a continuation of your old group?

I suppose in a way it is, in that it's the same line up as the early line up of that band. When the Naut split Chris and I formed Slomatics, and Marty went on to form War Iron, who he still plays in. It took nearly eight years for us to be reunited and I think we all see that as really a new thing. We've certainly been more prolific with Marty than we were in the previous line up, and I think we're all finally getting to produce the music we really wanted to all along. We're slow burners for sure! Musically it's very different, the Naut was quite fast and more harsh, but I suppose given its the same people then maybe we'd have ended up here anyway.

5.What is the meaning and inspiration behind the name 'Slomatics'?

Ha ha, there really is no meaning! We started jamming straight after The Naut split up, and were offered some gigs right away, so we needed a name in a hurry. The ones we came up with were all taken, and with about a week to a gig we just went with Chromatics as it was on our tuner pedals. We found out that was taken too, so almost as a joke, given the slow songs we'd written, we changed it to Slomatics. I've kind of regretted it ever since as its a fairly terrible name but after all this time it's just become what it is. I mean, 'The Melvins' is definitely worse, and 'Harvey Milk' too. I remember when Jon Davis told me he was calling his band Conan I was gutted, and really wished I'd thought of that myself!

6.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

I know it's only a week ago, but the Desertfest gig really was something special. It was absolutely rammed and the crowd were really into it which amazed us, we'd not expected that kind of response at all. That fest is so well organised too and really does have just the greatest atmosphere, it's so laid back. Jon from Conan did a song with us too - which he's done before - but given the support he's given us over the years and our great friendship it was a real buzz. The Tombstones fest in Manchester last year was another real highlight, and also the Incubate fest in the Netherlands which was Marty's second gig with the band. Honestly we always feel really lucky with gigs, there's rarely one which isn't a blast. It's always great to play with friends so shows with Conan, Headless Kross, Ommadon and Hornets always feel like highlights. As for stage performance, it's not something we really think about. We try to put sets together that have a nice flow, and we take the playing bit seriously, but we just really enjoy playing live and feel relaxed about it. We don't have any sort of stage schtick or gimmick, it's just about having fun.

7.Do you have any touring or show plans once the new album is released?

We're heading to Scotland again in the summer for some shows with Headless Kross, and are booked for the HostSabbat festival in Norway in September, both of which we're really excited about. We're firming up dates in Manchester, Jersey and London too, along with a couple of pretty special Irish shows. There's talk of more shows in mainland Europe too. We don't tour as such, due to work and family commitments, but I'd say we'll get out and play a bit more off this album than before.

8.Over the years the band has been a part of a numerous amount of splits, can you tell us a little bit more about your the decision behind partaking in all of these
recordings?

We all come from the Hardcore DIY scene where splits are fairly commonplace. I like it as a format, and it's a real honour to have shared releases with the likes of Conan and Holly Hunt. In the early days it was often just something that came about through sharing bills with different bands, and it's a good way to share the costs if it's self released. We have to be into the band the split is with for sure though. It's something we'd do again if the right thing came up. Like when Conan or Holly Hunt talk about doing a split, you don't say no!!

9.Over the years how has the feedback been to your music by fans of sludge and doom metal?

It's been great. The reviews and response has always been overwhelmingly positive which is a constant surprise to us. Of course we get the odd bad review but we never take it personally - my favourite was one that simply stated 'This band are a joke, this music is shit.' Nicely put!! What really blows us away is when folk who are completely outside of the heavy music scene are into it. There's an amazing producer in Belfast who performs really cool trance music under the name LOR, and he's played synths on out last three or four records. To have someone like that get what we do really is something else!

10.Where do you see the band heading into musically during the future?

I'd like us to be as prolific as possible. We're all older guys, and we're well aware that everything we do could end up being the last, so we try to keep moving and write all the time. It's not like we're trying to make it big or anything, this really is a hobby to us. We like to release an EP or 7 inch between albums, so that might be where we go again. There's talk of recording some all-synth stuff in the studio we use in Belfast, and we'd like to go to Skyhammer again too, so something might come from that. We're finished with the concept we've covered over the past three albums, so it might be fun to go for something more direct.

11.What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?

It's hard to say, as we all listen to quite different stuff. In the early days, Chris and I were spending a lot of time listening to the first Floor record and watching Pink Floyd live at Pompei, so I guess that is probably still there somewhere. We definitely initially tried to combine that heaviness with a sense of melody, I don't know how successful that's been though! We played some shows years ago with an amazing band from Leeds called Like A Kind Of Matador who were a big deal to us, and got us going with alternative guitar tunings and unconventional structures. When you're as old as we are and have being into music for 30+ years there's never going to be one single influence, what we write is just a product of a lifetime of listening to music. we're definitely influenced by bands we play with of course, bands like Ommadon, Bismuth and Hornets really fire us up to try and write better songs.
Nowadays a lot of what I listen to is stuff I grew up on, Mudhoney, Kraftwerk, Pixies, Sonic Youth. In terms of new music the stuff I like mightn't score any cool points in the doom community - stuff like Thee Oh Sees, Hinds, Ty Segall, Budos Band. I really like the Serial Hawk record, it's a great album.

12.Does Occultism play any role in your music?

Not at all. I'm afraid we're not spiritual people in any shape or form. I mean, the imagery that goes along with that stuff can be cool when it's done right, but I find it a bit gimmicky generally.

13.What are some of your non musical interests?

I've a young family, so spare time is a rare thing! I'm actually a massive cycling fan, I could happily watch full coverage of all three weeks of the Tour De France if I had the time! I cycle a lot myself, I love being out early on the bike miles from anywhere. It's weirdly serene. I read a lot too, bits of everything - I'll read pretty much anything music related, but I like fiction too.

14.Before we wrap up this interview, do you have any final words or thoughts?

I'd just like to say thank you for taking the time to interview us, and for your interest in the band, it's much appreciated. Hopefully we'll get to see more folk on the road over the next year or so, we're friendly people so please do say hello, and if you really want to - yes, we would like a beer. CHEERS!

Friday, May 6, 2016

Jupiter/Interstellar Chronodrive/2015 Full Length Review


  Jupiter  are  a  band  from  Finland  that  plays  a  very  psychedelic  form  of  stoner  rock  with  a  touch  of  doom  metal  and  this  is  a  review  of  their  self  released  2016  album  "Interstellar  Chronodrive".

  Drum  beats  start  off  the  album  along  with some  clean  playing  a  few  seconds  later  that  is  very  heavily  rooted  in  the  60''s  and  a  few  seconds  later  the  music  starts  getting  more  distorted  along  with  some  melodic  guitar  leads  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to   them  along  with  some  proto  metal  elements.

  Some  of the  tracks  are  very  long  and  epic  in  length  while  the  power  chord  riffing  brings  in  the  heaviness  of  70's  doom  metal  and  the  vocals  are  all  done  in  a  clean  singing  fashion  and  also  remains  true  to  the  retro  vibe  of  the  bands  musical  style  and  as  the  album  progresses  the  music  starts  bringing  in  more  psychedelic  elements.

  At  times  the  music  can  also  be  very  progressive  at  times  and  also  adds  in  an  improv  jam  style  in  some  songs  and  clean  playing  also  makes  a  return  in  certain  sections  of  the  recording  and  there  is  also  a  brief  use  of  spoken  word  parts  and  while  the  music  is  rooted  in  the  60's  and  70's  the  stoner  metal  elements  makes  the  tracks  have  a  more  modern  feeling  and  all  of  the  songs  stick  to  either  a  slow  or  mid paced  musical  direction.

  Jupiter  plays  a  musical  style  that  takes  stoner  and  doom  metal  and  mixes  it  with  60's  and  70's  psychedelic  rock  to  create a  very  retro  yet  heavy  album,  the  production  sounds  very  professional  for  being  a  self  released  recording  while  the  lyrics  cover  dark  and  metaphysical  themes.

  In  my  opinion  Jupiter  are  a  very  great  sounding  mixture  of  stoner,  doom  metal  and  psychedelic  rock  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Spirit  Of  The  Leech"  and  "Vantage  Point". 8  out  of  10.    

Thursday, May 5, 2016

Witches Of Doom/Deadlights/Sliptrick records/2016 Full Length Review


  Witches  Of  Doom  are  a  band  from  Italy  that  plays  a  mixture  of  goth,  industrial,  stoner,  and  doom  metal  and  this  is  a  review  of  their  2016  album  "Deadlights"  which  was  released  by  Sliptrick  Records.

  Industrial  and electronic  sounds  start  off  the  album  and  after  a  few  seconds  it  starts  mixing  in  with  a  more  hard  and  melodic  sound  along  with  some  clean  singing  vocals  a  few  seconds  later  and  the  music  also  mixes  stoner  and  goth  rock  together  and  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording.

  When guitar  solos  and  leads  are  utilized  they  are  done in  a  very  melodic  fashion  and  there  is  also  a  brief  use  of  middle  eastern  music  elements  while  the  riffs  also  bring  in  the  heaviness  of  doom  metal  and  while  there  is  a  lot  of  old  school  influences  in  the  music  the  songs  still  sound  very modern  and  some  songs  bring  in  a  small  amount  of  clean  playing  along  with  a  couple  of  power  ballads  and  all  of  the  songs  stick  to  either  a  slow or mid  paced  musical  direction  and  they also  bring  in  an  instrumental  track  and  on  the  last  few  songs  psychedelic  elements  are  added  onto  the  recording.

  Witches  Of  Doom  plays  a  musical  style  that  takes  goth  and  industrial  and mixes  it  with  stoner  and  doom  metal  to  create  a  sound  that  is  very  original,  the  production  sounds  very  professional  while  the  lyrics  cover  dark,  depressing  and  occult  themes.

  In  my  opinion  Witches  Of  Doom  are  a  very  great  sounding  mixture  of  goth,  industrial,  stoner  and  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out t his  album.  RECOMMENDED  TRACKS  INCLUDE  "Lizard  Tongue"  "Winter  Coming"  "Black  Voodoo  Girl"  and  "I  Don't  Want  To  Be  A  Star".  8  out  of  10. 

Wednesday, May 4, 2016

Slomatics/Future Echo Returns/Black Bow Records/2016 CD Review


  Slomatics  are  a  band  from  Northern  Ireland,  United  Kingdom  that  plays  a  mixture  of  sludge  and  doom  metal  and  this  is  a  review  of  their  2016  album  "Future  Echo  Returns"  which  will  be  released  in  September  by  Black  Bow  Records.

  Psychedelic  sounds  start  off  the  album  before  going  into  a  heavier  doom  metal  direction  which  also  brings  in  the  heaviness  of  sludge  and  also mixes  the  psychedelic  and  heavy  parts  together  at  times  while  the  solos  and  leads  are  done  in  a  very  dark  and   melodic  fashion  and  all  of  the  musical  instruments  have  a  very powerful  sound  to  them.

  When  vocals  are  added  onto  the  recording  they  are  done  in  a  clean  singing  style  that  is  very  close  to  stoner  rock  and  the  music  has  some  70's  roots  while  also  being  more  heavy  and  modern  than  that  era  while  some  of  the  riffs  bring  in  dark  sounding  melodies  and  as  the  album  progresses  acoustic  guitars  can  be  heard  in  certain  sections  of  the  recording  along  with  a  few  of  the  tracks  being  long  and  epic  in  length  and  one  of  the  tracks  is  all  instrumental  and  the  whole  album  also  sticks  to  a  very  slow  musical  direction  from  beginning  to  ending  of  the  recording. 

 Slomatics  plays  a  musical  style  that  is  mostly  rooted  in  the  stoner  doom  metal  genre  while  also  bringing  in  the  heaviness  and  psychedelic  elements  which  also  makes  their  music  stand  out  a  bit  more,  the  production  sounds  very  professional  while  the  lyrics  cover  darkness  and  occult  themes.

  In  my  opinion  Slomatics  are  a  very  great  sounding  mixture  of  sludge  and  doom  metal  with  a  touch  of  psychedelia  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Electric  Breath"  "Rat  Chariot"  and  "Into  The  Eternal".  8  out  of  10.

 

Black Space Riders/Beyond Refugeeum/BSR/Cargo/2016 EP Review


  Black  Space  Riders  are  a  band  from  Germany  that  plays  a  mixture  of  psychedelic  space  rock  and  stoner  metal  and  this  is  a  review  of  their  2016  ep  "Beyond  Refugeem"  which  will  be  released  as  a  joint  effort  between  BSR  and  Cargo.

  Electronic  sounds  with  acoustic  guitars  start  off  the  ep  giving  the  music  more  of  a  70's  feeling  while  the  psychedelic  elements  have  a  60's  vibe  to  them  and  once  the  drums  start  to  kick  in  all  of  the  musicla  instruments  have  a  very  powerful  sound  to  them  while  the  solos  and  leads  are  done  in  more  of  a  classic  rock  style.

  When  heavy  riffs  are  added  onto  the  recording  they  bring  in  the  heaviness  of  stoner  rock  as  well  as  making  the  songs  sound  more  modern  and  the  songs  also  mix  in  a  great  amount  of  space  rock  elements  and  when  vocals  are  added onto  the  recording  they  are  done  in  a  clean  singing  fashion  and  some  songs  also  bring  in elements  of  ambient,  drone,  and  post  rock and  they  close  the  ep  with  a  couple  of  remix  tracks.

  Black  Space  Riders  plays  a  musical  style  that  takes  stoner  metal,  psychedelic,  space  rock  and  ambient  and  mixes  them  together  to  create  something  very  original,  the  production  sounds  very  professional  while  the  lyrics  cover  dark  and  real  life  themes.

  In  my  opinion  Black  Space  Riders  are  a  very  great  sounding  mixture  of  psychedelic  space  rock  and  stoner  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Freedom  At  First  Sight'  and  "Starglue  Sniffer".  8  out  of  10.

Eversin/Flagellum Dei/Club Inferno Ent./2016 EP Review


  Eversin  are  a  band  from  Italy  that  plays  a  very  aggressive  form  of  thrash  with  a  touch  of  death metal  and  this  is  a  review  of  their  2016  ep  "Flagellum  Dei"  which  will  be  released  on  May  12th  by  Club  Inferno  Ent..

  A  very  heavy  thrash metal  sound  starts  off  the  ep  along  with  some  aggressive  drumming  and  after  awhile  aggressive  vocals  are  added  onto t he  recording  and  you  can  also  hear  some  death  metal  influences  in  the  guitar  riffing  at  times  and  when  the  music  speeds  up  a  great  amount  of  blast  beats  can  be  heard.

  When  guitar  solos  and  leads  are  utilized  they  bring  in  even  more  of  a  chaotic  thrash  style  and  the  vocals  also  add  in  a  few  seconds  of  growls  and  they  also  do  a  cover  of  Sepultura's  "Refuse/Resist"  and  all  of  the  musical  instruments  on  the  recording  have  a  very  powerful  sound  to  them  and  throughout  the  recording  you  can  hear  a  great  mixture  of  slow,  mid  paced  and  fast  parts  and  they  close  the  ep  was  an  industrial  re-mix  of  "We  Wil  Prevail".

  Eversin  plays  a  musical  style  that  takes  both  the  modern  and  old  school  styles  of  thrash  metal  and  mixes  in  some  death  metal  influences  to  create  a  style  of t heir  own,  the  production  sounds  very  professional  while  the  lyrics  cover  dark  and  violent  themes.

  In  my  opinion  Eversin  are  a  very  great  sounding  aggressive  thrash  metal  band  with  a  touch  of  death  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Flagellum  Dei"  and  "For  the  Glory  of  Men  MMXVI".  8  out  of  10.    

Demon Head/Ride The Wilderness/Caligari Records/2016 Cassette Review


  Demon  Head  are  a  band  from  Denmark  that  plays  a  mixture  of  doom  metal  and  hard  rock  and  this  is  a  review  of  their  2015  album  "Ride  The  Wilderness"  which  was  released  on  cassette  by  Caligari  Records.

  Clean  playing  starts  off  the  album  giving  the  music  a  70's  vibe  and  after  awhile  the  music  starts  to  get  harder  along  with  elements  of  psychedelia  before  adding  in  traditional  doom  metal  style  of  vocals  which  also  takes  the  recording  into  more  of  a  dark  and  heavy  direction  and  the  guitar  solos  and  leads  also  add  in  more  of  a  proto  metal  style.

  Some  of  the  tracks  are  very  long  and  epic  in  length  and  all  of  the  songs  sound  like  they  could  of  easily  been  recorded  and  released  in  the  70's  and  some  songs  also  bring  in  a  small  amount  of  bass  guitar  leads  and  the  whole  album  sticks  to  a  very  slow,  dark  and  retro  musical  direction  from  beginning  to  ending  of  the  recording.

  Demon  Head  plays  a  musical  style  that  goes  back  to  the  70's  forms  of  doom  metal  and  hard  rock  and  also  avoids  any  modern  styles  of  the  past  40  or  more  years,  the  production  sounds  very  old  school  while  the  lyrics  cover  Occultism  and  Dark  Fantasy  themes.

  In  my  opinion  Demon  Head  are  a  very  great  sounding  retro  mixture  of  doom  metal  and  hard  rock  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Undertaker"  Ride  The  Wilderness"  and  "The  Greatest  Lie".  8  out  of 10.