Thursday, March 31, 2016

Colossus Fall/Hidden Into Details/2015 CD Review


  Colossus  Fall  are  a  band  from  Switzerland  that  has  been  featured  before  in  this  zine  and plays  a  mixture  of  sludge  metal,  stoner  rock  and  post  hardcore  and  this  is  a  review  of  their  self  released  2015  album  "Hidden  Into  Details".

  A  very  hard  and  heavy  sound  starts  off  the  album  along  with  some  aggressive  sludge  style  screams  and  you  can  also  hear  melodies  and  blast  beats  being  added  into  the  music  at  times and the  music  also  mixes  in  a  great  amount  of  hardcore  elements  and  the  songs  also  bring  in  a  great  mixture  of  slow,  mid  paced  and fast  parts.

  When  solos  and  leads  are  utilized  they  bring  a  melodic  stoner  rock  feeling  to  the  recording  and  all  of  the  musical  instruments  on  the  album  have  a  very  powerful  sound  to  them  and  when  acoustic  guitars  are  brought  into  the  music  they  add  in  a  touch  of  post  rock  and  one  track  brings  in  a  few  seconds  of  Asian  music  before  making  a  return  back  to  a  heavier  musical  direction.

  Colossus  Fall  creates  another  recording  that  takes  the  most  aggressive  elements  of  sludge,  stoner,  post  metal  and  hardcore  and  mixes  them  together  to  create  a  very  heavy  sounding  recording,  the  production  sounds  very  professional  for  being  a  self  released  album  while  the  lyrics  cover dark  and  real life  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Colossus  Fall  and  if  you  are  a  fan  of  stoner,  sludge  metal  and  hardcore,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Rise  Of  Adrenaline"  "Bullseyes"  "(We  Were  Gatekeepers)"  and  "F.A.T".  8  out  of  10.       

Le Scimmie/Colustrum/Red Sound Records/2016 CD Review





 
  Le  Scimmie  are  a  band  from  Italy  that  plays  an  instrumental  mixture  of  noise,  stoner  and  doom  metal  and  this  is  a  review  of  their  2016  album  "Colustrum"  which  was  released  by  Red  Light Records.

  Ambient  style  synths  start  off  the  album  which  also  gives  the  music  more  of  an  atmospheric  edge  along  with  a  few  drones  and  after  a  couple  of  minutes  the  music  starts  going  into  more  of  a  heavy  sludge/doom  metal  direction  where  you  can  also  hear  all  of  the  musical  instruments  that  are  present  on  the  recording.

  Psychedelic  elements  can  be  heard  in  the  music  at  times  while  most  of  the  tracks  are  very  long  and  epic  in  length  and  some  parts  of  the  music  also  get  very  experimental  and  avant  garde  and  a lot  of  the  heavy  riffing  brings  a  stoner  metal  vibe  to  the  recording  while  influences  of  noise  rock  are  also  are  mixed  in  quite  a  bit  throughout  the  recording  and  all  of  the  songs  stick  to  a  very  slow  musical  direction.

  Le  Scimmie  plays  a  musical  style  that  takes  the  heaviness of  sludge,  stoner  and  doom  metal  and  mixes  it  with  experimental  and  noise  rock  while  also  avoiding  any  song  lyrics  or  vocals  to  create  a  musical  style  of  their  own  and  the  production  sounds  very  professional.

  In  my  opinion  Le  Scimmie  are  a  very  great  sounding  instrumental  mixture  of  experimental,  noise  rock,  stoner  and  doom  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE "Colostrum"  and  "Helleborus".  8  out  of  10.   

Wednesday, March 30, 2016

Victims Interview

1.Can you give us an update on what has been going on with the band since the recording of the new album?
Except for our daily jobs and real life issues we have planned and booked some shows/tours/festivals that are coming around the corner. Some rehearsing have been done to the last month.



2.In April you have a new album coming out, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?
More hardcorepunk than “A dissident” but still more melodic than before.



3.The band has been around since the 90's, what is it that keeps you motivated to still write music after all of these years?
Stupidity, passion and boredrom.



4.What are some of the lyrical topics and subjects the band explores with the newer music?
Personel inner conflicts and how fucked up our world is.



5.What is the meaning and inspiration behind the name 'Victims'?
We thought is was a good name for the band in -97. Not much of a meaning, just a bandname that suits the kind of music we play. Would probably not name the band that today….



6.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?
Don’t know, to many to just pick out one. Remember a year when we played Fluff Fest that was prettu crazy and great. Hope our stage performance is full of energy and intensity.



7.Do you have any touring or show plans once the new album is released?
Yes, some. This is what we have booked right now.
160324 US/Santa Ana, CA @ Observatory w/Napalm Death, Melt Banana
160325 US/San Diego, CA @ Casbah w/Napalm Death, Melt Banana
160326 US/Los Angeles, CA @ Los Globos w/Bio Crisis, Zoloa + special guests
160327 US/Oakland, CA @ Metro w/Brainoil, Tørsö, Korrosive
160328 US/Eureka, CA @ VFW w/Pervert, Big Rip, ChuggxTaylor
160329 US/Portland, OR @ Black Water w/TBA
160330 US/Seattle, WA @ Highline w/Deathraid, VHS, Jæng
160331 US/Portland, OR @ Roseland w/Abbath, High On Fire, Skeleton Witch
160401 US/Vancouver, BC @ Astoria w/TBA

160416 SWE/Stockholm @ TBA

160528 SWE/GBG @ Kajskjul 46 / Suicide Records 10 years of dedication!

160603 UK/London @ DIY Space w/Gift Of Death, Cult Syndrome, P.I.G
160604 UK/Bristol @ Temples Fest w/Melvins, Weekend Nachos, All Pigs Must Die + more
160505 UK/Nottingham @ Chameleon Arts Café w/Skiplickers, Endless Grinning Skulls

160617 FR/Clisson @ Hellfest w/Anthrax, Testament, Converge, Melvins + more
160618 FR/Paris/TBA

160708 PL/Gdynia @ DIY Fest vol.12



8.On a worldwide level how has the feedback been to your music by fans of crust, d beat and hardcore?
Pretty good from the start. Feels like we get a more wide audience for every year.



9.Where do you see the band heading into musically during the future?
Probably heavier and more melodic. Like we have developed over the years so far.



10.What are some of the bands or musical styles that have had an influence on your newer music and also what are you listening to nowadays?
I´ve been listening a lot to Kowloon Walled City, Viagra Boys, Anna von Hausswolff, Total Control, Jedi Mind Tricks, Wailin Storms, DiE, Army Of The Pharaos, Disappearer, Neurosis and more



11.What are some of your non musical interests?
Hanging out with my kids.



12.Before we wrap up this interview, do you have any final words or thoughts?
Thanks for the interview. Come see us if we play your town because you never know when this madness stops.

Tuesday, March 29, 2016

Black Oath/To Below And Beyond/Doomentia Records/2015 Full Length Review


  Black  Oath  are  a  band  from  Italy  that  plays  a  traditional  form  of  occult  doom  metal  and  this  is  a  review  of  their  2015  album  "To  Below  And  Beyond"  which  was  released  by  Doomentia  Records.

  Classical  guitar  playing  along  with  some  synths  in the  background  start  off  the  album  bringing  in  the  atmosphere  of  a  classic  horror  movie  as  well  as  bringing  in  a  small  amount  of  whispers  and  after  the  intro  they  retain  the  acoustics  while  also  going  into  more  of   a  heavier  musical  direction and  adding  in  70's  style  metal  vocals.

  Most  of  the  music  is  rooted  in  the  70's  and  80's  style  of  doom  metal  and  the  music  also  gets  very  atmospheric  at  times  and  the  songs  also  bring  in  a  great  mixture  of  slow  and  mid  paced  parts  and  the  solos  and  leads  also  remain  true  to  a  more  melodic  and  traditional  style  of  metal  and  you  can  also  hear  a  great  amount  of  melody  in  the  guitar  riffing  and  all  of  the  musical  instruments  have  a  very  powerful  sound  to  them  while  most  of  the  songs  are  very  long  and  epic  in  length  and  they  also  bring  in  a  great  mixture  of  both  power  ballads  and  heavy  tracks.  and  spoken  word  parts  can  also be  heard  briefly.

  Black  Oath  plays  a  style of  doom  metal  that  is  very  dark  and  melodic  in  the  70's  and  80's  style  of  the  genre,  the  production  sounds  very  professional  while the  lyrics  cover  darkness,  death,  esotericism,  occultism,  superstitions  and  witchcraft  themes.    

  In  my  opinion  Black  Oath  are  a  very  great  sounding  occult  doom  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  recording.  RECOMMENDED  TRACKS  INCLUDE  "Wicked  Queen"  "Flesh To  Gold"  and  "To  Below  And  Beyond  (Ars  Diaboli)". 8/5  out of  10.

Raedon Kong/Critical Paths/Hell Comes Home/2015 Full Length Review


  Raedon  Kong  are  a  band  from  Louisiana  that  has  been  featured  before  in  this  zine  and  plays  a  mixture  of  sludge,  doom  and  post  metal  with  some touches of  psychedelia,  experimental  and  prog  rock  and  this  is  a  review  of  their  2015  album  "Critical  Paths"  which  was  released  by  Hell  Comes  Home.

  A  heavy  and  distorted  guitar  sound  starts off  the  album  along  synths  being  utilized  in t he  background  and  the  music  brings  in  the  heaviness  of  both sludge  and  doom  metal  while  the  vocals  are  in  more  of  a  noise  rock  or  hardcore  vein  while  also  being  very  aggressive  at  the  same  time  and  when t he  music  speeds  up  it  bring s in  elements  of  crust  punk.

  Blast  beats  can  be  heard  in  the  faster  sections  of  the  music  while  most  of  the  songs  stick  to  either  a  slow  or  mid  paced  direction  and  clean  playing  can  also be  heard  in  some parts  of  the  songs  and  when  melodic  singing  is  utilized  it  brings  a  touch  of  stoner  rock onto  the  recording  and  most  of  the  tracks  are  very  long  and  epic  in  length  and  the  music  gets  more  progressive  and  experimental  as  the  album progresses  along  with  some  psychedelic  traces  while  still  having  its  heavy  moments.    

  Raedon  Kong  creates  another  recording  that  takes  the  heaviness of  sludge  and  doom  metal  and  mixes  it  in  with  the  melody  of  post  metal  while  also  experimenting  with  prog  and psychedelia  to  create  a  very  original  sounding  recording,  the  production  sounds  very  professional  while  the  lyrics  cover  real  life  and  philosophical  themes.

  In  my  opinion  this  is  another  great  sounding  recording  from  Raedon  Kong  and  if  you  are  a  fan  of  sludge,  doom  and  post  metal,  you  should  enjoy  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Invasion  Of  Minds"  and  "Golden  Churches".  8  out  of  10.      

Monday, March 28, 2016

Wailin Storms Interview

1.       Can you give us an update on what is going on with the band these days?

We recently became truckers and are looking for a good meth contact. Seriously though, we just drove to and from Austin all the way from North Carolina in 2 days to play a few showcases at SXSW. We also have an April tour coming up with “The Powder Room” (from Athens) and are looking into recording some new songs by this summer hopefully.

2.       A few months back you had released your first full length, how would you describe the musical sound that is presented on the recording and also how does it differ from the ep's you had released in the past?

Our previous EP “Shiver” was much more stripped down and straight forward since it was a 3 piece. With the most recent full length our sound became much fuller and dynamic with the addition of another guitarist. That said we still tried to keep things sparse and minimal on “One foot in the flesh grave,” similar to previous recordings.



3.       What are some of the lyrical topics and subjects the band explores with the music?

 Our songs revolve around various subjects and will probably sound like a drug commercial at first: coping with death, depression, love, heartbreak, politics, surrealism, and Texas folklore.  For example “Down in South Texas” is based on an old Texas/Mexican folktale of “La Llorona” or “The Weeping Woman.”  There are a few versions of this story but the one I heard when growing up was that a young woman, with two children, falls in love with a handsome young man. But like most young men, he’s not ready to have kids. So the woman, wanting to be with him, takes her children to the beach one day, stabs them both, and drowns them in the ocean (or river, depending on where the listener grew up). She then goes to her lover’s door covered in blood and tells him what she’s done for love, but her new love wants nothing to do with her and turns her away. She soon realizes what she’s done for love and kills herself by walking into the ocean. When she gets to heaven, the angels refuse to let her inside until she can find her children’s bones in the ocean. They also curse her with the head of horse for committing an unspeakable sin. The weeping woman realizes that retrieving her dead children’s bones would be impossible to find in the ocean so she roams around the beach/shores of the Gulf of Mexico looking for other children to drown to use their bones for entry into heaven. Much like a Greek siren she wails and draws concerned victims in with her moan.

 Parents would tell this classic bedtime story kids to scare them from sneaking out late at night and swimming in the ocean after dark. As a teen, I used to sneak out past dark to go surfing during a full moon but never ran into La Llorona, just the occasional shark.

4.       What is the meaning and inspiration behind the name 'Wailin Storms'?

It’s a moniker mostly based on the singer’s last name “Storms,” that combined with the boisterous sound that’s made when singing or “Wailing.” But the spelling of “Wailin” is a bit of a homage to greats like: Screamin Jay Hopkins, Lightnin Hopkins, and Howlin Wolf. 

5.       Originally the band was from Texas but relocated to North Carolina, what was the cause of the move?

Well the band started in Texas as a really stripped down project for a year or so in the mid 2000’s. There were a few moves before then and various line-up changes depending on location at the time. But the current line-up formed in North Carolina after the founder/singer moved from NYC to NC with his ex-girlfriend who found a job in North Carolina. Touring seemed easier for the band outside of NYC and the band had played Raleigh during a previous tour. Seemed like either Texas or somewhere in the southern US was where our music belonged.

6.       What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

There’s been quite a few awesome shows, some recent and some not so recent. But one recent show in Indianapolis which coincidentally and unfortunately happened to be “We Are Hex’” last show was really memorable. It was at this dive bar called State Street Pub and we were on day 8 or so of our tour and the owner and bartender of the place was really welcoming. From the outside this was one of the smallest places we had played in a while but it was really cool inside with tons of priceless punk posters from enviable gigs in the area. “We Are Hex” blew us away and were phenomenal live, as we imagined they might be. The crowd was super pumped for us too and the two bands that night meshed really well. It just felt like the ideal show: setting, energy, and line-up wise.

As for stage performance we try to match the music and actually move around. We tend to be high energy when the song calls for it.

7.       Do you have any touring or show plans for the future?

Upcoming shows and tours

4/3/16 // Valient Thor, Demon Eye, Bitter Resolve// The Ritz - Raleigh, NC

4/20/16// Shallows, Powder Room, Wailin Storms // Odditorium - Asheville, NC

4/21/16 // Power Take Off, Powder Room, Wailin Storms // The Station - Charlotte, NC

4/22/16 // SOON, Powder Room, Wailin Storms // Nightlight - Chapel Hill, NC

4/23/16 // Youth League, Powder Room, Wailin Storms // Reggies - Wilmington, NC

4/24/16 // Magnus Lush, Manzara, Wailin Storms // Banditos -Richmond, VA

8.       On a worldwide level how has the feedback been to your recordings by fans of underground music?

We’re noticing a lot of new fans all over the US and in Europe, particularly in Poland, France, Italy, and Portugal. There has been some talk of touring around Europe.



9.       Where do you see the band heading into musically during the future?

Lately we’ve been gravitating towards making slower songs that have more space and dynamics. We like to follow our gut when making new songs and try not to over complicate things too much to avoid making things too polished.

10.   What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

As a band we’re into a bunch of different bands and musical styles. Here’s a few influential bands: Laughing Hyenas, Hammerhead, Scratch Acid, Alan Lomax’ field recordings, Bohren and Der Club of Gore, PJ Harvey, and Birthday Party. Nowadays the band’s been listening to: This Heat, Sweet Cobra, Unwound, DIIV, Tenement, Kowloon, hymns by “Old Regular Baptists,” and Creepoid.

11.   What are some of your non musical interests?

Our drummer is obsessed with the Redskins football team. Our bassist likes building non-lethal shit and we think is related to Macgyver. Our guitarist is into smoking and drinking whiskey and our singer likes to draws epic whale battles.

12.   Before we wrap up this interview, do you have any final words or thoughts?

Go vote

Sunday, March 27, 2016

Lucifer's Fall/Fuck You we're Lucifers Fall/Rotedoom Records/2015 EP Review


 Lucifer's  Fall  are  a  band  from  Australia  that  plays  a  traditional  form  of  doom  metal  and  this  is  a  review  of  their  2015  ep  "Fuck  You,  We're  Lucifer's  Fall"  which was  released  by  Rotedoom  Records.

 Drum  beats  and  powerful  sounding bass  guitar  leads  start  off  the  ep  along  wit h some  distorted  amp  noises  which  also  leads  up  to  a  very  dark  and  heavy  old  school  doom  metal  direction  and  the  solos  and  leads  are  also  very  melodic  and  remain  very  true  to  a  retro   musicla  direction  close  to  the  70's.

  Most  of   the  tracks  are  very  long  and  epic  in  length  and  after  a  few  minutes  vocals  make  their  presence  known  on  the  recording  and  they  are  done  in  more  of  a  melodic traditional  metal  style  while also  having  a  bit  of aggression  to  them  at  times  and  the  riffs  also  bring  dark  sounding  melodies  into  some parts  of  the  songs  and  the  spoken  words  also  gives  the  music  more  of  a  ritualistic  feeling  and  all  of  the  songs  stick  mostly  to  a  very  slow  yet  heavy  musical  direction  while  some  mid  paced  sections  are also  utilized  at  times.

  Lucifer's  Fall  plays a  style  of  doom  metal  that  is  the  more  traditional  70's  and  80's  era  of  the  genre  while  also  bringing  in  the  epic  singing  style  of  the  past,  the  production  sounds  very  professional  while  the  lyrics  cover  Satanism,  Luciferian,  Religion  and Darkness  themes.

  In  my opinion Lucifer's  Fall  are  a  very  great  sounding  old  school  doom  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACK  "Salvation".  8/2  out  of  10.