Tuesday, September 30, 2014

Damage Source Interview

1.For those that have never heard of you before, can you tell us a little bit about the band?

FRANK DAMAGER: The Band was formed in 2007, but in the first couple of years we had several line-up changes and didn´t get to the point really. So in 2013 after years of getting drunk in the rehearsal room, but not getting anywhere else, it was me, as the last founding member, and Jo Fingergrinder, as the bassplayer for quiet a while to set up the band for a second time. We decided to concentrate on our Old School Thrash/Death-Roots and stripped down our music to the bone and started all over again. The only thing we kept, was the name. We found guitarist NIKO and singer PLORATOR, who gave new life and fresh blood to the band. NIKO with his Death Metal Roots from Bands like Death or Morbid Angel took the riffing in our songs to a new direction. PLORATOR comes from a Black Metal background and is still the singer of the infamous Black Metal band SADISM UNBOUND, celebrating the true evil with their blood soaked performances. (And I really mean blood-soaked, because they use pig blood as corpsepaint for their shows.)

So most of the old DAMAGE SOURCE songs then were dumped or changed completely. It was a total rebirth of the Band in Blood, Death and aggressive Thrash Metal. Since then we keep writing stuff and it´s getting more intense all the time. I am totally happy with the way things were going, even if we still have Spinal Tap-like situation regarding the drums. For the moment Dominick, the Drummer of SADISM UNBOUND is our drummer for live shows. We played a lot of shows with Bands like FUNERAL WHORE, EXHUMED, TOXIC HOLOCAUST or PRIBJAT.  And this is exactly where I see the band: In between Death-Metal and Thrash Metal  with an aggressive Old School vibe. Like old German Thrash, like Destruction or Kreator´s first records. Like it should be. No nice melodies in the music, no nice things on stage.

JO FINGERGRINDER: Well, the band itself is what it is: 5 guys with the passion for heavy, entertaining old school metal. We all grew up with the thrash and death metal of the nineties. after some lineup changes we got NIKO and PLORATOR into the band and it suddenly took it´s way. We sounded more evil and blacker than before!



2.A year back you had released a demo, how would you describe the musical sound that is presented on the recording?

JO FINGERGRINDER: It sounds the way it sounds. It´s a demo. Nothing more to say about it. No predemo, no frills, just a demo.
FRANK DAMAGER: The Raise HELL-EP are some of the first songs we had written with the new band members back then. We didn´t have a drummer but we urged to have a record out, so we asked a friend of ours, Hannes Feder, who is a professional drummer with a Jazz-Background, to play on the recordings. He listened to the songs for a couple of days, came into our rehearsal room and layed down the drum tracks you hear on the CD within four hours, including setting up the drumkit and the microphones (!). The rest was recorded in our rehearsal room as well, though recorded with a Macbook, it is a rough demo after all, with no expensive studio sound and no copy/paste-stuff. The sound might be a bit too muddy, but well, that´s how it sounded at the recording session! You can almost smell the old carpet in the rehearsal room, with the gallons of beer and sweat soaked into it.
Today the main focus for recordings seems to be on the post-recording side, with all  that re-amping and editing going on, but that is something I really  don´t understand. How can I play a guitar track, without hearing the final sound? I could play an acoustic guitar or a banjo as well, reamp it with two Triple Rectifier and there is the next big thing in Melodic Death-Bullshit! WTF??
Our next record will be recorded the very same way as the first, with the only difference, that we will use better microphones to get a less muddier sound.



3.What are some of the lyrical topics and subjects the band explores with the music?

FRANK DAMAGER: The lyrics are written by NIKO, JO or me and everyone has different approach to the lyrics, so I can speak for myself. I write lyrics about my thoughts about life, death and spirituality. Though I am not a spiritual person, I like to use occult patterns or metaphors, to point out my view about Humanity in contradiction to divinity, spirit in contradiction to matter, religion in contradiction to freedom and finally the fatal contradiction between life and death. So for example there is the metaphor of Lucifer as the bringer of light, the bringer of individuality and freedom of will in the song „Enlightenment“. But I would not say, we are a satanic band, at least not in a theistic way. I would describe myself as an atheist, with a morbid fascination for satanism, but even that is not completely fitting. I try to be an individual and develop myself in every shape of my individuality. To me, the development of a conscious individuality, with the power to choose between instinct and consciousness is the most important achievement for mankind and every individual as well. And more or less, that´s what I am writing about in the lyrics. We are going  to release a lyrics video for the song  „Enlightenment“ on our Youtube-channel: http://www.youtube.com/user/DamageSourceMetal
JO FINGERGRINDER: Inspiration for me is life itself and the human habit to make someone else responsible for their situation.



4.What is the meaning and inspiration behind the name 'Damage Source‘?

FRANK DAMAGER: Well, actually the main inspiration was to find an name, that has not been used yet, so back in 2007 we spent hours of searching the internet with a long list of names and words, and finally DAMAGE SOURCE was the one left. It sounded good, looked good as a logo, so we took it. Besides that, there is no deeper meaning behind it.


5.What are some of the best shows that the band has played over the years and also how would you describe your stage performance?

FRANK DAMAGER: The best show so far was to play with EXHUMED/TOXIC HOLOCAUST at the Underground in our Hometown Cologne. But we enjoy every show, as long as the bands we are playing with are cool people and there are none of the big ego-backstage-performers, you sometimes meet in the modern metal-scene.
Well, our stage performance is just a bunch of old, half-drunk guys, trying to make an evil face…well, not really, but basically it is us playing as intense as we can. We don´t use stage prompts or anything. Just less lights and more power. It is  the music, that should be in the focus and people should bang their hands excessively instead of looking at my fat belly struggeling with my guitar.
JO FINGERGRINDER: The best show was definitely the EXHUMED / TOXIC HOLOCAUT gig. And our stage performance is passionate! You should show up, if you have the opportunity and see PLORATOR on stage. He´s a maniac!



6.Do you have any touring or show plans for the future?

FRANK DAMAGER: We will play some shows with HUMILIATION from Malaysia here in Germany in October , we will support REPUKED and NEKROFILTH hier ein Cologne, and some more gigs are planned, but not fixed yet. We all have jobs, so unfortunately it is difficult to go on a real tour, but we would really like to. Especially in other countries, but for the moment we play shows at the weekends. For us it is more important, that we like the music of the other bands we are playing with, then if the location is interesting or how big the crowd will be. We will never make any fortune with our music, so we prefer to be with good bands in a small locations to a fine crowd of metalheads instead of playing with some Metalcore bands in front of a bigger crowd of emo-kids, performing karate dancing.



7.Currently the band is unsigned, are you looking for a label or have received any interest?

FRANK DAMAGER: Of course we would prefer to be on a label, because that would mean less work for us, but it should be a good one, with the same attitude as we have. We do not sign a label contract, just to get signed. Therefore we are organizing everything by ourselves now, wich is not a bad way to handle things nowadays. At least you have total control. With the opportunities of the internet we still can reach fans worldwide and they can order CDs or merchandise via bandcamp (http://damagesource.bandcamp.com). So if we would decide for a label, they should offer something more than this, something we cannot do by ourselves. ….or a shitload of money ;-)


8.On a worldwide level how has the feedback been to your music by fans of thrash metal?

FRANK DAMAGER: We received a lot of good feedback, good reviews in underground magazines, we receive orders for CDs and stuff from different countries, so it is working quiet well.  But especially at our shows, people really give us a good response. To have a bunch of complete strangers headbanging to our tunes, wich they have never heard before, is something, that really makes you proud as a musician.
JO FINGERINDER: Some people get it and some don´t. And it´s great to see the ones at our show headbanging and moshing although they´ve never ever seen or heard us before.


9.When can we expect a full length and also where do you see the band heading into musically during the future?

FRANK DAMAGER: We recorded drums for some tracks with our Drummer ULAS SAGLAM, who left the band in the meantime, and we will release some of them digitally, like the lyrics video of „Enlightenment“. For next year we are planning a 7“ or maybe 12“ on vinyl first, and then another CD by the end of 2015, wich will be a full length or at least much longer than the RAISE HELL-EP.
Musically we will maintain our simple, rough and aggressive style, maybe with a bit more Death Metal influences. But it will always contain a whole lot of aggression. You can be sure, that we will keep stripping our songs down to the core, the riff, the essence of the songs and avoid things like never-ending guitar solos or endless repetition of meaningless bridges and stuff, that destroy the dynamics of a song. We will not change our style, because we have battled a long time to develop it.
JO will also have a release with his other band TANKOBOT by the end of this year. Cool thrashy stuff, with a more technical approach, you should check them out. I am writing stuff for a new Doom-project called NAVTIKH, with JO and PLORATOR joining me for the recordings. A release will be mid of next year, earliest.


10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

FRANK DAMAGER: I initially started playing guitar because of Black Sabbath and still Toni Iommi is a huge influence for me. He is the God of Riffs and he has already played everything, so we all are just bad copies of his style and creativity. I also like a lot of Doom-Bands like Trouble, Candlemass or Saint Vitus, Windhand, Blood Ceremony, but also modern Death Doom bands like Ahab or Isole. Then the Swedish Death Metal like Dismember or Entombed and bands in between all this like like Venenum, Grave Miasma or Nekromantheon.
Finally, of course the German Thrash movement of the early 80ies is a main influence for DAMAGE SOURCE! Bands like Kreator, Destruction, Sodom, Living Death, Assassin, together with Venom, Motörhead and the almighty Slayer. While I am writing this, I listen to the new GOATWHORE record, wich is a real killer!


11.What are some of your non musical interests?

FRANK DAMAGER: My main Interest is Heavy Metal Music. Full stop.
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12.Before we wrap up this interview, do you have any final words or thoughts?

FRANK & JO: Keep supporting underground metal! It is the underground,that keeps the spirit alive! Thank you for supporting DAMAGE SOURCE! Stay Metal!

Paodemonio Interview

EXTREME UNDERGROUND MUSIC ZINE (USA)
(http://undergroundmusickzine.blogspot.com)



1.For those that have never heard of you before, can you tell us a little bit about the band?
Ricardo: We are a quartet from the city of Porto (northern Portugal), founded in 2014. We play contemporary fusion music that blends Jazz, Funk, Hip Hop, Progressive, Metal and so on… Not only we blend different styles of music, we also use acoustic and electronic instruments. And while our basis is sax, keys, guitar and drums, we also use analog and digital effects to extend our sonic possibilities. Our songs have different structures and atmospheres but the common factor is that we always improvise; we never play a tune the same way twice!


2.A few months back you had released a new album, how would you describe the musical sound that is presented on the recording?
Marcelo: It is a fusion of musical approaches and atmospheres – it’s one of those recordings you have to hear at least twice to really feel the nuances and layering that is happening, kinda like a musical journey. Picture a marriage made in hell between something like Chris Potter, Frank Zappa and Meshuggah!

3.What are some of the themes and images the band brings out with its musical style?

Nuno: The image of a beautiful green pasture that extends to the infinity and meets a deep blue cloudless sky! No, I’m kidding (and now I notice that I might be confusing Pãodemónio with a background image found in many computers). Music being an abstract art, I personally find it very hard to answer this. Ricardo did have external sources of inspiration when composing the music, and you can read about them on the liner notes. For once, I didn’t know about them when recording the album. If any themes or images are brought out by the music, maybe it’s more a subjective thing for each one of the listeners.


4.Currently the music is all instrumental, are there any plans on using vocals in the future?

Nuno: I’d say there are no such plans. At least I can’t imagine that anyone would actually want to hear me sing. Once I recorded an album of me singing jazz standards, and recently I was told that in some Arab countries they use it as a penalty for people caught stealing. By the way: how does a singer change a light bulb?

Marcelo: Don´t think so, specially with Nuno singing! (laughs) Now seriously – since the beginning we wanted an instrumental project, and I guess we will always keep it that way.

5.What is the meaning and inspiration behind the name 'Pãodemónio'?
Ricardo: That is an invented word: is the combination of Pão (bread) and Demónio (demon). But actually, in Portuguese, it sounds like you’re saying Pandemonium with Porto’s accent. Furthermore, not only it is interesting to think about a demonic piece of bread, but it’s also relevant to think about a musical Pandemonium, made in northern Portugal. So that word sums up all those intentions while keeping our music as uncategorized as possible.


6.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

Nuno: I would describe our stage performance as sober. A significant part of our audience certainly enjoys toying with the impairment of some mental capacities and the freeing of others, and as to the band members themselves, I wouldn’t put my hands on the fire. However, this is demanding music; not only from a technically point of view, but more because it’s so open that it demands that our ears are tuned to what’s going on, and our senses in a state of readiness to interact musically at any given moment. For me it’s hard to do that and jump around at the same time. But I swear that I’m enjoying myself, even when the headbanging is minimal.
We do admit that the visual part of a stage performance is important. To that end, we’re trying to get rid of the music stands (and Fábio always dresses up).

Fábio: I think the best show will be the next one! Most of our music is improvised, so every show is different, not best or worst, just different, but I must confess I do get more excited in bigger stages. As a saxophone player I have a lot of experience playing in horn sections, but this project offers me a new kind of section that transcends my instrument, the “crazy digital madness” section; pandemonium really happens in our performances, but it´s always a controlled chaos in the tension resolution balance. The musical result is kind of cool and mysterious because sometimes people get confused about the origin of the sounds: is it a guitar or a saxophone delay? Only we know the answer to that, and we have a lot of fun mixing up our digital soup! Sound engineers and musicians are starting to make fun of how big my pedalboard is, asking me if I’m the guitar player! Having said that, we try to surprise each other all the time exchanging ideas, and we give it all in the stage, every gig is played as if it was the last one, we that a lot of risks musically, and I think the audience can feel that.

7.Do you have any touring or show plans for the future?

Ricardo: Yes, we’re planning on hiring our own sound engineer for the road and hit the big stages because we feel those are the things we need most now, to make our live performances sound the way they should!

Marcelo: In terms of touring, for the moment, I think it would be great to have a chance to play and express our music on some of the best venues here in Portugal. We noticed that our live sound needs a lot of power and dynamic, and you can just work that out with the best conditions possible (usually the music festivals are also a great option!). Later on we would love to take Pãodemónio beyond frontiers, but for that to happen everyone knows you first have to get a lot of support, from promoters to managers, and we’re currently working on a DIY way.

8.On a worldwide level how has the feedback been to your album by fans of music in general?

Fábio: We are getting very good reviews from all over the world, I have been told that our music is very open and as so, it reaches Metal, Rock, Punk, Noise, Funk, Jazz, Fusion, Electronic, Avant-Gard fans, we are receiving some positive feedback from all kinds of fans and that´s rewarding.

Marcelo: It’s like Fábio said – until now we’ve getting some feedback from all kinds of music departments, thankfully positive. I think the main idea for the project is this whole mix of musical approaches, which can get the attention and feedback from all kinds of listeners.

9.Where do you see the band heading into musically during the future?

Fábio: In Portugal we say, “the older the wine, the better”, and we do love Porto wine, so we surely will try to follow that saying, pushing the envelope forward with new fresh and demanding songs and sounds, with lots of groove, energy and head banging.

Ricardo: I agree with Fábio and I must say I already feel we’re now beyond what we achieved in “Pirraças Pueris”. Right now we’re already rehearsing new tunes from other band members and we’re introducing new sounds, new compositional styles, new interplay approaches and we’re very excited about how the new music is coming along! It’s very important for us to keep the spark alive, specially considering how much time and energy we devote to each of our compositions and to the development of our group-sound.

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Ricardo: I will name only bands and composers which I think had a direct influence on my compositions on this record: Olivier Messiaen, Kurt Rosenwinkel, Meshuggah, Chris Potter, Marcus Miller, Rage Against the Machine, Miles Davis. Now I will let my bandmates talk about their reading of my scores!

Marcelo: I think the influences come from a lot of stuff – for the drumming department, I focus mostly on metal, jazz, drum’n’bass and funk, and it can be from Snarky Puppy, Esbjorn Svensson, London Elektricity, Tower of Power or Meshuggah – but then, in a “playlist” point of view, I usually listen to a lot of music so it’s kinda hard to specify something in particular.

11.Currently the band is unsigned, are you looking for a label or have received any interest?

Ricardo: We are doing research on what will be the best option for us. We haven’t received any interest yet, although that doesn’t surprise us because in our country almost no one supports the really good music. Both the media and the governors have no interest in promoting the development of contemporary original Portuguese music and supporting the really talented Portuguese musicians. As usual, they care only about what’s easier to sell to the general public. So we’re actually trying to find out how to reach out to the audience through other means…


12.What are some of your non musical interests?

Fábio: Fine wine and visual arts in general.

Nuno: For years I’ve been interested in astronomy. I also enjoy playing chess, even though I’m terrible at it.

Ricardo: Cinema, Theater, Dance, Painting, Sculpture, Literature, Science and Technology.

Marcelo: I’m really fond of arts, science, sports and technology in general (for this last one, a particular nerdiness and total addiction in the videogames department!).

13.Before we wrap up this interview, do you have any final words or thoughts?

Nuno: Thank you for your kind words on the review that you published. We really appreciate it, but I’d like to make two little corrections. One: we didn’t “avoid” bringing in any vocals, it simply never crossed our minds. Likewise, we didn’t avoid having someone play cor anglais (now, that would actually be cool). Two: there’s no record scratching… I think you may be referring to some electronic effect that we used on the guitar or saxophone.
Again, thank you!

Ricardo: Thank you for your interest in promoting contemporary music!
Marcelo: Thank you very much for the opportunity to share our thoughts - we hope to keep making the music we love, without boundaries. Cheers!

Wormwood Interview

1.For those that have never heard of you before, can you tell us a little bit about the band?

Bev and I played together for the first few years of Doomriders' existence. With me on guitar and he on drums. Years later we decided to get together again to make a much darker, more evil noise. After recording the e.p., we recruited Mike Gowell of Phatom Glue for second guitar and Thomas Moses of Disappearer on bass for the live band.

2.In October you have an ep coming out, how would you describe the musical sound that is presented on the recording?

Our sound has a lot of different aspects of heavy music. Doom, sludge, punk, psychedelia, noise and a touch of black metal is mostly what you'll hear. We enjoy all kinds of music, so it's no surprise that the music we make covers a lot of ground.

3.What are some of the lyrical topics and subjects the band explores with the music?

Brain washing, genocide, people living phony, shallow lives, murderous rage, cults in the woods...you know, real cheery shit.

4.What is the meaning and inspiration behind the name 'Wormwood'?

I really just like all aspects of the word, from just the ring of it, to the story of the wormwood star, to the psychedelic root.

5.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

Haven't played a show yet. We've been offered great shows but we're still priming the live band. Rehearsals are few and far between because 3 out of the 4 of us have multiple children and regular jobs, as well as having other bands to work around. That said, we will be playing shows very soon.

6.Do you have any touring or show plans for the future?

^^^!

7.On a worldwide level how has the feedback been to your music by fans of sludge and doom metal?

People seem to dig it so far.

8.Are any of the band members involved with any other musical projects or bands these days?

I'm in doomriders, Bev has a project with Nate of doomriders which I'm blanking on the name of. Thomas has a band called Flowers with Jebb of doomriders, and Mike is in Phantom Glue. It's all very incestuous.

9.Where do you see the band heading into musically during the future?

We'll probably stick to the sound we have now until we get bored of it. There's enough styles involved to keep it interesting I think.

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

Like I said earlier, doom, sludge, punk, psychedelia, black metal. I've been really digging the new Yob record, the new midnight record, raspberry bulbs, and lots of Louvin Brothers and Sabbath.

11.What are some of your non musical interests?

I collect a lot of weird, old stuff like art, taxidermy, creepy religious art, skulls. I like documentaries and creepy films.

12.Before we wrap up this interview, do you have any final words or thoughts?

We'd love to record a full length at some point. If there's a label out there willing to pitch in to help pay for recording that would rule! Buy our new e.p and keep an eye out for shows! Thanks!

Obliterations Interview

1.Can you give us an update on what has been going on with the band since the recording of the new album?

-Well, everyone has been working, staying busy etc. I broke my shoulder skateboarding early in the Summer. So that kinda put me out til recently. Austin took a 6 week motorcycle trip across the USA, Stephen and Flo have been touring with Pink Mountaintops. Now we're all just gearing up for the release and some touring behind it.

2.You have a new album coming out in October, how would you describe the musical sound that is presented on the recording and also how does it differ from the stuff you have released in the past?

-It's really hard for me to have any true perspective on it to be honest. In the most basic terms it's aggressive, heavy and dark? I'd like to believe the new record offers a progression to the band. There is a more diverse palate of songs, tempos and structures. Some of the lyrics have a more personal directive as well.

3.What are some of the lyrical topics and subjects the band explores with the newer music?

-Narcissism, shame, denial, emptiness, misguided patriotism, the acceptance of mediocrity, the human race, the end of the human race, fear and consumption, relationships.

4.What is the meaning and inspiration behind the name 'Obliterations'?

-It seems kinda seems self explanatory right? Stephen came up with it. It's a play on the song off of "The Process Of Weeding Out" LP by Black Flag. I like to think Its about living everyday like it's your last. Maybe it's about destroying to rebuild? Maybe It's about nothing at all? What do you think?

5.What are some of the best shows that the band has played so far and also how would you describe your stage performance?

-Every show is the best show. it's a privilege to be able to play music and say the things you want. Let alone to be seen and heard doing it. I have no idea what our stage presence is. We did this video recently from a show we played. That might give you some insight.
https://www.youtube.com/watch?v=D38aT4BbvDs

6.Do you have any touring or show plans once the new album is released?

-Yea US, UK and European tours.

7.On a worldwide level how has the feedback been to your music by fans of metal and punk?

-It seems good. People seem to be excited about the band and music.  I don't really know what people are fans of so I can't say they are punk or metal or whatever. I try not to think about that stuff typically.

8.What is going on with some of the other musical projects these days that some of the band members are involved with?

-Stephen released a Pink Mountaintops record in April and has been touring. He begins writing a new Black Mountain record now. Austin just played some 10 year anniversary shows with Saviours. I've been working on some ideas for a new band I'm going to begin working on this winter.

9.Where do you see the band heading into musically during the future?

-Hard to say really. You might have your own opinion after hearing the new record. I'd like to think that it will be the platform for another progression.

10.What are some of the bands or musical styles that have had an influence on your music and also what are you listening to nowadays?

-Spacemen 3, Discharge, The Who, Laughing Hyenas, Celtic Frost, GBH, Swiz, The MC5, The Stooges, Suicide, SSD, just kinda goes on and on.

Currently I've been digging Ryley Walker and Steve Gunn.

11.What are some of your non musical interests?

-Staring at our phones?

12.Before we wrap up this interview, do you have any final words or thoughts?

-Hopefully not, cuz then I'd probably be dead.

Monday, September 29, 2014

Riwen/Self Titled/Indie Recordings/2014 EP Review



  Riwen  are  a  band  from  Sweden  that  plays  a  very  heavy  form  of  hardcore  and  this  is  a  review  of  their  self  released  2014  ep  which  will  be  released  in  October  by  Indie  Recordings.

  A  very  dark  and  heavy  hardcore  style  sound  starts  off  the  ep  along  with  some  melodic  leads  which  are  also  brought  back  again  on  the  last  track  and  the  heaviness  of  metal  as  well  as  some  angry  shouting  and  screaming  style  vocals,  the  music  on  the  recording  also  has  more  of  a  darker  and  sinister  edge  than  most  bands  that  play  this  musical  genre.

  Most  of  the  music  on  all  3  tracks  sticks  mostly  to  a  slow  or  mid  paced  direction  along  with  all  of  the  musical  instruments  having  a  very  powerful  sound  to  them  and  on  the  second  track  the  music  does  start  to  speed  up  a  bit  and  you  can  also  hear  the  raw  energy  of  punk  rock  being  added  into  the  bands  musical  style  and  on  the  last  track  you  can  hear  a  small  amount  of  clean  playing  in  certain  sections  of  the  song  along  with  a  few  seconds  of  spoken  word  parts  and  violins.

  Riwen  plays  a  style  of  hardcore  that  has  more  of  a  darker  sound  than  most  bands  of  the  genre  while  also  bringing  in  the  raw  energy  of  punk  rock  and  th e heaviness  of  metal  to  create  3  songs  that  show  how   heavy  this  genre  can  be  at  times,  the  production  has  a  very  dark  yet  professional  sound  while  the lyrics  cover  a  dark  subject  matter  along  with  the  last  track  being  written  in  Swedish.

  In  my  opinion  Riwen  are  a  very  great  sounding  hardcore  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  ep.  RECOMMENDED  TRACK  "Values".  8  out  of  10.  

  

Savage Machine/Through The Iron Forest/2014 EP Review


  Savage  Machine  are  a  band  from  Denmark  that  plays  a  very  old  school  and  traditional  form  of  heavy  metal  and  this  is  a  review  of  their  self  released  2014  ep  "Through  The  Iron  Forest".

  A  very  melodic  and  80's  style  of  heavy  metal  starts  off  the  ep  with  the  music  having  a  heavy  Iron  Maiden  influence  in  both  the  riffs  and  leads  and  after  the  short  intro  the  music  sticks  to  a  pure  and  true  style  of  metal  as  well  as  adding  in  some  clean  singing  power  metal  vocals  and  the music  also  sticks  to  mostly  a  slow  to  mid  paced  direction.

  Spoken  word  parts  can  be  heard  in  certain  sections  of  the  recording  and  all  of  the musical  instruments  have  a  very  powerful  sound  to  them  and  the  band  also  seems  to  be  heavily  influence  by  both  the  American  and  German  power  metal  scenes  of  the  80's  which  can  be  heard  throughout  the  recording  while  the  production  gives  the  music  a  more  up  to  date  feeling  and  on  one  of  the  alter  tracks  there  is  a  brief  use  of  clean  playing.

  Savage  Machine  goes  back  to  the  80's  style  of  heavy  and  power  metal  on  this  recording  creating  some  music  that  captures  the  melody  and  aggression  of  the  glory  days  of  true  metal,  the  production  sounds  very  professional  for  being  a  self  released  recording  while  the  lyrics  cover  dark  themes  along  with  a  touch  of  sci  fi  on  one  of  the  tracks  as  well  as  one  song  being  written  about  metal.

   In  my  opinion  Savage  Machine  are  a  very  great  sounding  mixture  of  power  and  heavy  metal  and  if  you  are  a  fan  of  those  musical  genres,  you  should  check  out  this  band.  RECOMMENDED  TRACKS  INCLUDE  "Iron  Forest"  and  "The  Final  March".  8  out  of  10.

     

  

Sunday, September 28, 2014

AlgomA/Reclaimed By The Forest/Dead Beat Media/2014 CD Review



  AlgomA  are  a  band  from  Canada  that  plays  a  mixture  of  doom  and  sludge  metal  and  this  is  a  review  of  their  2014  album  "Reclaimed  By  The  Forest"  which  was  released  by  Dead  Beat  Media

  Spoken  word  samples  start  off  the  album  before  adding  in  distorted  reverb  and  a  very  heavy  bass  guitar  which  leads  up  to   rhythm  guitar  bringing  in  more  of  a  slow  and  very  heavy  doom  metal  sound  and  after  awhile  clean  sections  can  be  heard  in  certain  sections  of  the  recording  and  once  vocals  are  added into  the  music  they  have  more  of  an  angry  and  tortured  approach  to  them  bringing  in  somewhat  of  a  crustcore  style.

  Most  of  the  songs  on  the  recording  are  very  long  and  epic  in  length  and  they  also  use  the  spoken  word  samples  on  some  of  the  other  songs  as  well  and  all  of  the  songs  stick  to  a  very  slow  and  heavy  musical  direction  as  well  as  adding  in  a  small  amount  of  distorted  drones  at  times  and  as  the  album  progresses  the  vocals  start  bringing  more   of  a  screaming  approach.

  AlgomA  creates   a  very  heavy  and  slow  style  of  sludge  and  doom  metal  and  while  they  sound  quite  a  bit  like  other  bands  at  time s they  still  pull  it  off  very  well  and  creates  6  songs  that  show  the  heaviest  side  of  the  genre,  the  production  sound s very  powerful  while  the  lyrics  cover  dark,  depressive,  and  hateful  themes.  

  In  my  opinion  AlgomA  are  a  very  great  sounding  sludge/doom  metal  band  and  if  you  are  a  fan  of  this  musical  genre,  you  should  check  out  this  album.  RECOMMENDED  TRACKS  INCLUDE  "Fell  Down  A  Well"  and  "Extinct  Volcanies".  8  out  of  10.        .